henry lawson thesis statement

(2017, Feb 22).

By the time Lawson is finished we can ‘see’ this cartridge and understand its potential for harm. Join now to read this particular paper, The Captain of the Push in Grant, et. The humorous tone, hyperbole and blasphemy reveal how the passenger makes his own mockery at others whilst travelling through the countryside.

Throughout history the Australian identity and its associated values have been represented through distinctively visual language.

He uses them to show how the harshness of the Australian bush challenges gender roles. Figurative elements in the environment are another aspect of Australia which helps shape our perceptions. 2010 HSC Essay Question Compare the ways the distinctively visual is created in Lawson’s short stories and one other related text of your own choosing. The setting is painted in more detail in the context of the Sunday walk, ‘you might walk for twenty miles….

The Context: * The Times: in the late 1800’s most Australians lived in the cities but the harsh reality of the Australian bush had captured their imagination perhaps due to its’ contrast with British landscapes and life.

THE LOADED DOG: Short sentences with repeated action verbs ‘snaps’, ‘pulls’ and the repetition of ‘thud’ help us to see and hear the battle. The exclamation mark, emphasis and italics reveal how dry and dull the outback of NSW must be. The eldest son wants to be the man for his mother, ‘Stop there, mother! This idea is reinforced in the loss of the dam, when Lawson intrudes with an authorial statement, ‘there are some things that a bushwoman cannot do’ emphasising her vulnerability in the absence of her husband. (iv) Humour; Humour is central to the success of this short story and the understatement of fact following the explosion is a good example of Lawson’s use of typically Australian dark humour.

When Lawson does mention women they seem to be someone's wife waiting as in The Ballad of the Drover or someone's whore, (The Faces in the Street, The Captain of the Push). Through the use of alliteration and descriptive language, the powerful visuals portray the repetitive sameness as the Australian outback. The drover is depicted as ‘a good enough husband’ –who treated her like a ‘princess’ before he fell on hard times. This is clearly shown in “the drovers wife” and “in a dry season”.

(i) Omniscient Third Party Narrator; We feel for the characters in their struggle with themselves when Lawson as the omniscient narrator shifts us back in time to key moments in there past, ‘As a girl she built the usual castles in the air; but all her girlish hopes an aspirations have long been dead.’ Yet she doesn’t completely abandon her femininity as symbolised by the ‘Young ladies Journal’. Additional materials, such as the best quotations, synonyms and word definitions to make your writing easier are And Jim Bently the sensible one who ‘wasn’t interested in their damned silliness’.

She is ‘used to the loneliness of it’, ‘would feel strange away from it’, ‘She is glad when her husband returns….but does not make a fuss’, ‘she seems contented with her lot.’ (ii) Flashbacks; Lawson builds our admiration for the drovers’ wife through the flashbacks’; bushfire, flood, pleuro-pneumonia and mad bullock. The characterization, setting, humour and language are thoroughly Australian. * Literary History; Lawson was the first Australian born writers to document an unromantic view of the Australian bush and its uniquely Australian culture.

The battle lines are drawn and her weapons are a ‘green sapling cub’ and ‘she has brought the dog into the room’. Lawson gives us a detailed description of the making of the cartridge.

Their panic is contrasted with Tommy’s joy, ‘the dog capered around him….as though he thought, on a frolic.’ The ‘live fuse’ is personified ‘swishing….hissing and spluttering and stinking’. We use cookies to give you the best experience possible.

Retrieved October 13, 2020, from https://newyorkessays.com/essay-henry-lawson/, Save Time On Research and Writing. Without being able to fix a point in your mind, unless you are a bushman. Distinctively visual texts are able to manipulate the emotions of the audience to influence the responses of a collective group. Lawson, Henry, The Drover's Wife in Australian Literature to 1950, Reader, Curtin University of Technology, Perth, 1998 The sketch, to be really good, must be good in every line.

He slows again to provide a humourous picture of the various running styles and speeds ‘Dave and Jim were good runners-Jim the best – for a short distance; Andy was slow and heavy’.

Likewise humour is also revealed in “in a dry season” as the travelling passenger witnesses the different characters on his journey, “god bless the publican, and the coach-driver! This idea is reinforced in the loss of the dam, when Lawson intrudes with an authorial statement, ‘there are some things that a bushwoman cannot do’ emphasising her vulnerability in the absence of her husband. Lawsons chosen themes and techniques also affect individual and collective identity which is evident in the Drovers Wife and The Union Buries its dead. Documents similar to "Henry Lawson Essay Band 6" are suggested based on similar topic fingerprints from a variety of other Thinkswap Subjects University.

The composer effectively highlights the themes of heroism and realism, also through the use of language to shape meaning to the audience through distinctively visual images of the Australian bush life. ‘Near midnight’ ‘whenever she hears a noise she reaches for the stick’,. ‘He sniffed at the cartridge twice, and was just taking a third cautious sniff when—-‘.

The ‘house’ is off limits as ‘the snake ….may at any moment come up through cracks in the rough slab floor’.

They connect strongly as “she hugs him to her worn-out breast and kisses him”. Like us on Facebook in November and win FREE subscription to THOUSANDS high-quality essays and term papers, Henry Lawson, like most of his contemporaries gave little consideration to women in the majority of his poems and stories. How’s the fishin’ getting on, Da-a-ve?” ‘, Distinctively Visual – Henry Lawson. Lawson ends this section with an authorial insight into the ‘bushwoman’s’ contentedness despite this loss and struggle.

The Drover's Wife is unusual in that the central character is a woman.

The setting may belong to a bygone era but the comedic larrikinism of this typically Australian yarn connects with the ‘tell me a good story’ expectation of the 19th century audience. This is illustrated as the intrusive narrator uses the visual motif of art to depict the bushland.

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